Vintage young gay sex

.

Lumber Jack!

“10:30 P.M. Monday” is a stylishly filmed fantasia.

In “Forbidden Letters,” (October 24 at 9:15 pm) Larry (Robert Adams) is a young man in San Francisco whose older lover, Richard (Richard Locke), is serving jail time for assault and robbery. It is mostly 16mm, with some 8mm. A Tom of Finland image made flesh, Helmut (Berlin), with his “huge organ of pleasure,” is an enigmatic guy who teases almost everyone he meets — and not just because he dresses in a way that leaves little to the imagination.

But he also includes tender, romantic moments, as when Larry recalls seeing Richard at a Halloween party or being in Richard’s arms at San Francisco’s Lands End.

“American Cream” (October 25 at 9:15 pm) is a satiric tryptic.

If you have an interest in investing in vintage film preservation and would like to contribute part or all of a scanner to the Archive, please contact me. But Helmut is only really interested in a blind boy (Arron Black) with whom he feels he can share a deep friendship. It is not a case of the old adage, 'here today, gone tomorrow.' In this day and age it can be a case of 'here today...gone today'.

As a Rolls picks him up and takes him to a house, which is a kind of S&M club, Bob wanders nude from the bar to the toilet to the bath to an orgy room and eventually a “beach.” Each hypnotic episode features various men having — or offering — sex.

Whether it is my Archive or something else you see on the internet...if you find it useful...archive it!

“The Night Before” is more sensual than raunchy, but it does include a very memorable moment during the climatic orgy sequence.

“Turned On!” (October 22 at 9:15 pm) has Al Parker turned on by Sky Dawson in a bar. A photographer poses Helmut and lusts after him, especially as he strips off layers and layers and layers(!) of clothing.

The last, and perhaps weakest vignette, “Roles,” features a jazzy score as two guys in New York (Tom Peterson and Romain again) couple up and also switch roles.

The series is worthwhile for showcasting these films that may seem quaint today, but are still plenty sexy. The first and best segment, “Office” has an executive (Robert Rikas) and an employee (Doug Romain) going at it with gusto and some not-so-subtle commentaries on politics and power.

Heading home, Parker falls asleep dreaming of Dawson, and imaging erotic encounters at Mac’s Bath House, his only clue to this mysterious man’s possible whereabouts.